Their solidity and authority throughout the frequency range relies on placement near or against a rear wall: pull them out too far in the open and that sure-footedness is diluted slightly; bass notes are looser and vocals lose a bit of substance. In terms of the most fundamental types of music, videos, and movies, this is where the speakers continue to surprise us in relation to their true cost. Even better, you can connect it to an amplifier to slightly boost the treble. The Wharfedale Diamond 9.0 sound incredibly clear and clean when you’ve done that. The bass port fires downwards into a small air gap between base of the cabinet and the plinth below There’s an exceptional finesse to the delivery that rivals fail to match. Dynamic presence in even the quietest sections conveys the gradual swell of the piece. The 220s seem happy delivering the dramatic moments too – as orchestration gathers momentum, the speakers enjoy the ride. The Wharfedale Diamond 9.0’s cabinets are compact and solid, which assures that the cabinets don’t flex or vibrate throughout the listening.

But, you get more of everything with the Diamond 9.1, and not for a whole lot more money. The Diamond 9.1 and now the new Diamond 10.1 are world famous speakers. Excellent sound quality and value ... for the money. It is important to keep the "for the money" aspect in mind. More money will buy much better speakers than the Diamonds, but that "more money". Quite simply, you hear more of the drive units and less of the cabinet. But there’s more than just better finish involved in the move to the new model. As I said, those speakers are intended for small rooms. When it comes to bigger rooms, this is the point where a great subwoofer will do its job if you want the sound to resonate even more. One trade-off of not having a dedicated self-powered sub is that the system needs a little more power from the amplifier, say around 100 W/channel (ignore the maker's fi gures here), but this is a ballpark fi gure for even relatively inexpensive multichannel amplifi ers these days. Otherwise you'll fi nd the system easy to confi gure. I noted that the speakers have somewhat broader dispersion that usual, and this means a much larger sweet spot where several listeners will hear good sound, not just in a single listening sweet spot. Source – https://www.cnet.com/products/wharfedale-diamond-9-0-speaker/specs/ Similar Models of WharfedaleMake sure you place the Wharfedales as close to a rear wall as possible for best solidity and balance Again, your priorities and requirements are the real determining factors, and so far, you've not told us what those are. The Wharfedale 9.1 is capable of playing songs when it comes to any music genre. Of course, you can also connect the speakers to your TV and use the speaker system when you’re watching films or videos.

Just like nearly all the speakers out there, the Wharfedale diamond 9.1 speakers can be used in 2 different ways. You can use those speakers as a part of a bigger surrounded stereo system and combine it with a subwoofer, loudspeakers and a central speaker. The second option you have is to use the speakers as a basic equipment to accompany your office desk or living room alone. Wharfedale Diamond 9.1 Specs To compare the speakers you would need to accurately know the specifications and the original selling price. If you’re looking for low budget speakers, which are performing good in terms of basic music listening, the Wharfedale Diamond 9.0 speakers are a great choice for you. As I mentioned before, the main difference between the 9.1s and 9.0s is the bass. The Wharfedale diamond 9.1 speakers offer huge amounts of top-end detail, which is reflecting in the final listening experience. While such character might have initial showroom appeal, it can become wearing after a time and is not what hi-fi ought really to be about.Fig.4 Wharfedale Diamond 9.1, anechoic response on tweeter axis at 50", averaged across 30° horizontal window and corrected for microphone response, with the complex sum of the nearfield woofer and port responses, taking into account acoustic phase and distance from the nominal farfield point, plotted below 300Hz.

My experience with Wharfedale speakers is limited. In my college days, my old MIT fraternity house (think Animal House with differential equations) was fairly evenly split between the Advent (footnote 1) and JBL camps, save for one colleague's large Wharfedale bookshelf speakers, which played Emerson, Lake & Palmer quite nicely at earsplitting volumes at 2am. Small speakers often show a tendency to 'shout', by over-projecting the upper midband and presence zone.The Diamond 9.0 is still a decent speaker, and certainly a full range speaker, though the depth of the bass is limited; limited but acceptable. Many people, especially those with casual listening requirements are overjoyed with the small compact Diamond 9.0. Looking at the tweeter, we see a soft dome one giving the clarity and smoothness of sound you’d expect from more expensive speakers. The Woofer cone uses a carbon fibre type weave to offer taut and responsive bass. We’re glad to report the Diamond 220s are much better in all respects. While still not the classiest speakers we’ve seen around this price (Q Acoustics and Monitor Audio set the standard), they’re good enough to avoid criticism.

A speaker may offer a flat on-axis response, but how that response changes to the speaker's sides also affects its perceived tonal balance. Here the little Wharfedale also performed well, with a wide, even lateral dispersion below 8kHz or so (fig.5). What appears to be a slight flare at the bottom of the tweeter's passband in this graph is actually the small notch at 4kHz in the on-axis response filling in to the speaker's sides. In the vertical plane (fig.6), the overlap in the crossover region between the two drive-units leads to a peak developing in the low treble more than 10° above the tweeter axis, and a corresponding notch more than 10° below that axis. Suitable stands should be used to place the Diamond 9.1s' tweeters at ear level. Well the basic difference are obvious. The Diamond 9.1 is physically larger and has a physically larger bass driver. Larger cabinet means more bass, as does the larger bass driver, but it also means it moves more air.

The Diamond 9.1 also revealed gobs of detail in electric music. Listening to the opening guitar riff of Aimee Mann's "How Am I Different?," from Bachelor No. 2 or The Last Remains of the Dodo (CD, Super Ego SE-002), I could almost tell where the guitar amp's tone controls were set, could almost measure how far the mike was from the speaker cabinet. On Mighty Sam McClain's "Too Proud," from Give It Up to Love (CD, JVC 0012-2), it seemed I could ascertain the precise drawbar settings of Bruce Katz's Hammond B-3 organ. For the first guitar blast of "MovieTheater," from Ultra High Frequency's Sun Never Sets in Dramaville (CD, Mugshot MUG0001), my notes read: "Telecaster." The driving rhythm section gave me the same chills I remember from seeing the band live. You also don't say if this is a stereo system or a surround sound system, or a step on the way to building a full surround sound system.