washes ashore. The children grow and age at an exponential rate. The adults age and begin to deteriorate. Minor medical issues are suddenly very

Old (4K UHD Review) - The Digital Bits

very enjoyable, even if it doesn't quite reach a full-on metaphysical treatise on life and death and the process that moves the former to the latter. Still, Shyamalan Family Business (2160p/Dolby Vision, 8:05): Shyamalan's daughter serves as a second unit director on the film and performances, the film's tone (and the tone within the larger M. Night canon), photography, and more. exclusive beach along with a couple of other families. It does not take long for the beachgoers to realize that there's something amiss. A dead body and uncomfortable. And that's the point. If the movie is effective in any way it's in that it challenges its audience to contemplate the aging process,

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the physical, mental, and emotional transformations that are a result. But the real challenge for these characters, and the audience, is not the It's great to find a movie that actually tries to broach a topic rather than just slather the screen with mindless drivel, a movie that aims to entertain with Plot: What’s it about? Video: How’s it look? Audio: How’s it sound? Supplements: What are the extras? The Bottom Line Plot: What’s it about?

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the physical, but even if the film is far from perfect in its reach it's quite the fascinating journey both superficially and as far as it digs below the particularly interesting and it's not difficult to guess from a mile away (literally, give or take, as the case may be). One could write a treatise on the Deleted Scenes (2160p/Dolby Vision, 8:16 total runtime): Included are Cold Open, Maddox Overlooked, Guy and Prisca Have asuperior detailing, revealing a firmer foundation and superior intimates, including, of course, obvious elements like faces and sand that are constant location ambience proves very well pronounced and integrated. The listener will always be spatially aware as waves crash onto the sand here and there Old won’t change any minds about Shyamalan, so anyone who dislikes him may need to give the film a wide berth. But for those who can approach it with a more open mind, there are interesting concepts at play here, and he unquestionably knows how to shoot things in a thematically appropriate fashion. The story should resonate with anyone who’s feeling time slipping through their own fingers as they age.