With the UK dance venues split between R&B (in the classic sense), uptempo Motown which would eventually be known as Northern Soul and the Mod-orientated clubs where jazz was also played, a new generation of Disco DJs emerged including Chris Hill at The Goldmine at Canvey Island, Greg Edwards on London’s Capital Radio, Robbie Vincent on Radio London and Mike Shaft in Manchester. The birth of disco is often claimed to be found in the private dance parties held by New York City DJ David Mancuso's home that became known as The Loft, an invitation-only non-commercial underground club that inspired many others. [17] He organized the first major party in his Manhattan home on Valentine's Day 1970 with the name "Love Saves The Day". After some months the parties became weekly events and Mancuso continued to give regular parties into the 1990s. [56] Mancuso required that the music played had to be soulful, rhythmic, and impart words of hope, redemption, or pride. [43]

Cherry Disco Ball - Etsy UK

Sancho, Xavi (August 3, 2014). "Madonna: eterno regreso a la provocación". El País (in Spanish). Madrid, Spain. Archived from the original on December 6, 2014 . Retrieved December 6, 2014. ARTS IN AMERICA; Here's to Disco, It Never Could Say Goodbye". New York Times. December 10, 2002. Archived from the original on December 24, 2016 . Retrieved February 15, 2017. In the 1970s Munich, West Germany, music producers Giorgio Moroder and Pete Bellotte made a decisive contribution to disco music with a string of hits for Donna Summer, which became known as the "Munich Sound". [68] In 1975, Summer suggested the lyric " Love to Love You Baby" to Moroder and Bellotte, who turned the lyric into a full disco song. The final product, which contained the vocalizations of a series of simulated orgasms, initially was not intended for release, but when Moroder played it in the clubs it caused a sensation and he released it. The song became an international hit, reaching the charts in many European countries and the US (No. 2). It has been described as the arrival of the expression of raw female sexual desire in pop music. A nearly 17-minute 12-inch single was released. The 12" single became and remains a standard in discos today. [69] [70] In 1976 Donna Summer's version of " Could It Be Magic" brought disco further into the mainstream. In 1977 Summer, Moroder and Bellotte further released " I Feel Love", as the B-side of "Can't We Just Sit Down (And Talk It Over)", which revolutionized dance music with its mostly electronic production and was a massive worldwide success, spawning the Hi-NRG subgenre. [69] Giorgio Moroder was described by AllMusic as "one of the principal architects of the disco sound". [71] Another successful disco music project by Moroder at that time was Munich Machine (1976–1980). By 1979 there were 15,000-20,000 disco nightclubs in the US, many of them opening in suburban shopping centers, hotels, and restaurants. The 2001 Club franchises were the most prolific chain of disco clubs in the country. [25] Although many other attempts were made to franchise disco clubs, 2001 was the only one to successfully do so in this time frame. [26] Sound and light equipment [ edit ] Major disco clubs had lighted dance floors, with the lights flashing to complement the beat. The reflective light disco ball was a fixture on the ceilings of many discothèques. a b c d e "Disco Music Genre Overview – AllMusic". AllMusic. Archived from the original on October 19, 2017 . Retrieved October 27, 2017.

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The "disco sound" was much more costly to produce than many of the other popular music genres from the 1970s. Unlike the simpler, four-piece-band sound of funk, soul music of the late 1960s or the small jazz organ trios, disco music often included a large band, with several chordal instruments (guitar, keyboards, synthesizer), several drum or percussion instruments (drumkit, Latin percussion, electronic drums), a horn section, a string orchestra, and a variety of " classical" solo instruments (for example, flute, piccolo, and so on). Other Motown artists turned to disco as well. Diana Ross embraced the disco sound with her successful 1976 outing " Love Hangover" from her self-titled album. Her 1980 dance classics " Upside Down" and " I'm Coming Out" were written and produced by Nile Rodgers and Bernard Edwards of the group Chic. The Supremes, the group that made Ross famous, scored a handful of hits in the disco clubs without her, most notably 1976's " I'm Gonna Let My Heart Do the Walking" and, their last charted single before disbanding, 1977's "You're My Driving Wheel". a b c "It's Happy, It's Danceable and It May Rule Summer". The New York Times. May 30, 2013. Archived from the original on March 3, 2017 . Retrieved February 15, 2017.

Disco Wall Art - Etsy UK Disco Wall Art - Etsy UK

In 1974, New York City's WPIX-FM premiered the first disco radio show. [52] Early disco culture in the United States [ edit ] Many original television theme songs of the era also showed a strong disco influence, such as S.W.A.T. (1975), Wonder Woman (1975), Charlie's Angels (1976), NBC Saturday Night At The Movies (1976), The Love Boat (1977), The Donahue Show (1977), CHiPs (1977), The Professionals (1977), Dallas (1978), NBC Sports broadcasts (1978), Kojak (1977), and The Hollywood Squares (1979).

By far the most successful Euro disco act was ABBA (1972–1982). This Swedish quartet, which sang primarily in English, found success with singles such as " Waterloo" (1974), " Take a Chance on Me" (1978), " Gimme! Gimme! Gimme! (A Man After Midnight)" (1979), " Super Trouper" (1980), and their signature smash hit " Dancing Queen" (1976).

Disco - Wikipedia Disco - Wikipedia

Myron Floren, second-in-command on The Lawrence Welk Show, released a recording of the " Clarinet Polka" entitled "Disco Accordion." Similarly, Bobby Vinton adapted "The Pennsylvania Polka" into a song named "Disco Polka". Easy listening icon Percy Faith, in one of his last recordings, released an album entitled Disco Party (1975) and recorded a disco version of his " Theme from A Summer Place" in 1976. Even classical music was adapted for disco, notably Walter Murphy's "A Fifth of Beethoven" (1976, based on the first movement of Beethoven's 5th Symphony) and "Flight 76" (1976, based on Rimsky-Korsakov's " Flight of the Bumblebee"), and Louis Clark's Hooked On Classics series of albums and singles. Steve Hillage Terrascope Feature". terrascope.co.uk. Archived from the original on November 4, 2012 . Retrieved October 27, 2017. Pre-existing non-disco songs, standards, and TV themes were frequently "disco-ized" in the 1970s, such as the I Love Lucy theme (recorded as "Disco Lucy" by the Wilton Place Street Band), " Aquarela do Brasil" (recorded as "Brazil" by The Ritchie Family), and " Baby Face" (recorded by the Wing and a Prayer Fife and Drum Corps). The rich orchestral accompaniment that became identified with the disco era conjured up the memories of the big band era—which brought out several artists that recorded and disco-ized some big band arrangements, including Perry Como, who re-recorded his 1945 song " Temptation", in 1975, as well as Ethel Merman, who released an album of disco songs entitled The Ethel Merman Disco Album in 1979.Once a Hot Disco, Now a Cool Opportunity – Philadelphia Magazine". Philadelphia Magazine. May 18, 2016. Archived from the original on October 28, 2017 . Retrieved October 27, 2017. Harmonically, disco music typically contains major and minor seven chords, [ citation needed] which are found more often in jazz than pop music.