Hooker’s essential sound dispensed with the usual 12-bar blues progression to throw the focus on the thrust of the rhythm. Furthermore, we may (without prior notice and without giving reasons) change, delete or alter any Contributions, whether in whole or in part, that in our sole judgment and discretion violates these Terms, is unlawful, is in any way harmful to you, Members, us, the Service or any third parties. The original version of the song had a slightly different title, “One Scotch, One Bourbon, One Beer”—it was written by Rudy Toombs and sung by Amos Milburn. Hooker’s anniversary will arrive two weeks after the loss of another pivotal figure in 20th-century music – Chuck Berry, who was 90.

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From his gospel-tinged delta vocal mastery to his boogie woogie genius, the essence of John Lee Hooker – one of the world’s greatest musicians and one of the blues’ most important figures – is found in this epic, rocking composition. In Hooker’s greatest recordings, repetition bred intensity, both in his guitar playing and in his vocals which, in their chanting, droning cadence, could reach the transcendence of devotional singing.Considered to be sweeter than traditional whiskey, it has bitter notes but an overall flavour profile of vanilla, caramel and oak. These elements are set against a soft, grooving backbeat, in the vein of Howlin’ Wolf’s ‘Smokestack Lightnin” (though that was recorded after this track).

One Bourbon, One Scotch and One Beer written by John Song: One Bourbon, One Scotch and One Beer written by John

Wild Turkey 101 makes a great old fashioned, best appreciated when stirred down with a touch of demerara as well as white sugar. Hooker developed a whole new way to play the blues, pioneering his version of the “electric blues,” featuring him combining delta influences from his homestate of Mississippi, his signature boogie rhythm, and amped-up band recordings.You acknowledge, understand and agree that we are not obligated to review, check or monitor any Contributions, but we may do so. If we decide not to exercise or enforce any right or provision of these Terms, such decision shall not constitute a waiver of such right or provision. Hooker, who was born in Coahoma County, Mississippi, left the family by age 14 and went to live in Memphis, where he performed on Beale Street.

John Lee Kentucky Straight Bourbon - A Wardrobe of Whisky John Lee Kentucky Straight Bourbon - A Wardrobe of Whisky

Over a sexy shuffle pattern, for this particular recording, John Lee Hooker and slide queen Bonnie Raitt duet, harmonizing and trading vocal runs with each other. You will defend (at our option), indemnify and hold harmless us and our parents, affiliates, subsidiaries, (sub)licensees, assignees, successors, authorized third party contractors from any and all loss, damage, claim, liability or expense (including reasonable outside legal fees and costs) actually incurred as a result of a third party claim arising out of a breach or alleged breach of your obligations, representations and warranties made herein.g. purchase, investment) whatsoever based on the Service you should consider obtaining third party professional/expert advice on the matter, and you should consider whether such the decision is suitable and feasible with respect to (inter alia) your financial status and situation, your particular knowledge/experience on the matter (e.

John Lee Hooker: 10 of the best from the blues legend John Lee Hooker: 10 of the best from the blues legend

Before he brought it into mainstream conversation, the song acted as a token of oral history, handed down from generation to generation before modern recording equipment was invented. The song struts even more with the addition of harmonica wailing in tandem with the guitar and the clean, easy beat. There was one standing gig he had that he was often late to, and every time he’d arrive tardy, the bartender would jokingly say, “Boom, boom. In the mid-’60s, Hooker decided to record it himself, and his version came so naturally that critics argued it was actually his all along.It’s a rolling standard that is often recognized as some of Hooker’s best, most quintessential blues work. The general consensus, though, is that the ’60s recording is the go-to rendition that kicked off the tune’s entry into “blues standard status. All of this is worth noting as we approach what may or may not be the 100th anniversary of John Lee Hooker’s birth. His version is a medley in which Hooker's version of this song is preceded by another Hooker song, "House Rent Boogie", [21] [22] which serves as a backstory to explain the singer's situation.