If the player keeps ending up having Figure chasing them into closets, it is recommended to stay crouched and keep still, since Figure can only sense the player's heartbeat if they are moving.

Solomon, Jon (2012). "Boccaccio and the Ineffable, Aniconic God Demogorgon". International Journal of the Classical Tradition. 19 (1): 33. doi: 10.1007/s12138-012-0307-2. ISSN 1073-0508. S2CID 170394501. J. François, Le Scoliaste de la Thébaïde de Stace, Mémoire de licence, Liège, 1936, p. 82. R.D. Sweeney (ed., Lactantii Placidi in Statii Thebaida commentarii libri XII (Stuttgart/Leipzig: Teubner) 1997) also indicates that another Placidus, a Christian grammarian, is not to be confused with this Lactantius: "'glossae Placidi (ut uidetur, Christiani) nullo modo auctori nostro sunt adscribendae '" (p. viii). Seznec, Jean (1940). La Survivance des dieux antiques[ Survival of the Pagan Gods]. Bollingen Series. Translated by Sessions, Barbara. Princeton, New Jersey: Princeton University Press (published 1972). pp.221–222. Figure was originally in a scrapped project where it would rarely spawn as a white, pale zombie, run towards the player on all fours, then kill the player if they touched it. [5]See also: The Demogorgon (Dead by Daylight), The Demogorgon (Fortnite), The Demogorgon (Smite) Behind the scenes [ ]

Scientists at Hawkins Lab began investigating the dimension, discovering exactly what it contained. One such scientist entered through the Gate, wearing a hazmat suit linked to a chain rope. The scientist was savaged and killed by the Demogorgon almost immediately after entering the dimension. The Demogorgon hunted and killed other people and creatures, being particularly lured by blood. Its victims included Barbara Holland, hunters Dale and Henry, and a wounded deer. After Nancy Wheeler entered the Upside Down through a temporary portal, she observed the Demogorgon as it feasted on the deer. The Demogorgon noticed her, chasing her until she returned through the portal. Keep collections to yourself or inspire other shoppers! Keep in mind that anyone can view public collections—they may also appear in recommendations and other places. In the poem "Demogorgon" by Álvaro de Campos, the writer is afraid of becoming mad by learning the true nature and unveiling the mystery of life. [13] In popular culture [ edit ] Dungeons & Dragons [ edit ]

If the exit door is opened, Figure will first go towards the exit door and attempt to reach the escaped players, ignoring those that are still in the Library, before automatically chasing after and attempting to kill all players who did not escape the Library at around 2x speed, so the players need to make sure everybody exits at the same time. The player will also be able to move much faster. The exit door will be shut closed if either Figure finishes investigating the door or if there is no one alive left inside The Library. This creature crawled out of the upside-down and stands at approximately 16" tall and features a fully-articulated original body with over 24 points of articulation. The torso, elbow, and ankle joints are cleverly hidden beneath a soft PVC and utilize a realistic multi-layered paint application to enhance the creature’s intimidating life-like appearance.

Using any speed buff modifier is not recommended, because while the player is crouching near Figure with the modifier active, it will hear the player as its AI thinks the player is walking because of how fast the player is crouching.By the Late Middle Ages, the reality of a primordial "Demogorgon" was so well fixed in the European imagination that "Demogorgon's son Pan" became a bizarre variant reading for "Hermes' son Pan" in one manuscript tradition of Boccaccio's Genealogia Deorum gentilium ("Genealogies of the Gods":1.3–4 and 2.1), misreading a line in Ovid's Metamorphoses. [ citation needed]

Boccaccio's Demogorgon is mentioned as a "primal" god in quite a few Renaissance texts, and impressively glossed "Demon-Gorgon," i.e., "Terror-Demon" or "God of the Earth". The French historian and mythographer Jean Seznec, for instance, now determines in Demogorgon an allusion to the Demiurge ("Craftsman" or "Maker") of Plato's Timaeus. For a remarkable early text identifying Ovid's Demiurge (1/1, here) as "sovereign Demogorgon", see the paraphrase of Metamorphoses I in Abraham France, The third part of the Countesse of Pembrokes Yuychurch (London, 1592), sig. A2v." [7] In literature [ edit ]

Demogorgons seen in later years seemed unable to open temporary gates - even the Soviet-captured Demogorgon, which otherwise seemed to be stronger, faster and more capable than the 1983 specimen, did not wield this power.